Because there are so many internal sound generators and effects, you can exchange projects without bouncing. Plus, FL Studio is ideal for collaboration – good news in this time when DJs are stuck without gigs, for instance. But there are some different ways of working here – enough so that switching a little bit may unlock some new ideas and break some creative ruts. If you are used to something like Ableton Live, you’re likely to feel a bit disoriented in FL at first.
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How to get the most out of techno production in FL Studio (I’ve been cutting some really experimental stuff in FL lately, actually.) But you could also just see techno as a convenient way to talk about the workflow and then go somewhere entirely different. Riemann’s own samples are ideal here, because FL’s engine has so many sample-based features – but without much sample content for techno producers. I wrote a beginner guide for FL Studio partly just to keep everything in one place, continuing the partnership with Riemann Kollektion. But other veterans can skip some of the cooler new toys and tools that have been added in recent versions. Many users ignore the Channel rack (that’s the thing with the Roland-style x0x button step sequencer), and miss out on some powerful features that were in FL from the start. I’m surprised actually at the diversity of workflows in those videos. Yet you could easily wind up spending hours watching just YouTube videos, but wind up with no real map for where to work in FL Studio.
And yeah, I’m sure some people will still keep calling it Fruity Loops.įL Studio has a passionate following.
But long-time users may miss some of its recent improvements – and newcomers may not be clear on how to start.ĭon’t forget FL is on macOS, too, so it’s not just a Windows thing any more. FL Studio’s reputation is deceiving: this is one of the richest, most surprisingly open-ended tools for music-making.
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